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My name Gayle Age: Hi guys Rikki Age: Erin told her friend Kirin how much fun she had at our nude photo shoot and she really wanted her friend to be a part of the nude modeling too! I will provide a memorable and exquisite girlfriend experience, taking care of you with genuine attention and a particular interest of your pleasure. User Comments 2 Post a comment Comment: In order to post a comment you have to be logged in. V-Mort at She calls for an ambulance and attempts CPR , accidentally snapping a rib in the process, but to no avail. Buffy calls Giles. The paramedics arrive and work on Joyce and she revives, the paramedics declare it a miracle in the ambulance, and Joyce, Buffy, and Dawn rejoice in the hospital. Revealed to be a fantasy of Buffy's, the scene snaps back to the living room, where the paramedics continue to work on Joyce until they stop and tell Buffy that Joyce is dead. They leave, and Buffy goes into the hall and vomits. Giles arrives and Buffy tells him not to move the body, shocking herself by using that word. At school, Dawn is crying in the bathroom upset that a girl called her a freak. In art class she talks with a boy as they sketch, and the two share a moment of understanding about being troubled. Buffy arrives and pulls Dawn out of class into the hall. Through the windows of the art room, the class watches Buffy tell her that Joyce has had an accident. The rest of the conversation is muffled. Dawn collapses in the hall, sobbing. In Willow's dormitory room, Tara tries to help Willow find a shirt to wear. Xander and Anya arrive and double-park. Willow panics, rejecting shirt after shirt, not knowing how to appear for Buffy and Dawn. She asks why her clothes are stupid and she is childish, weeping until Tara kisses and calms her. Anya asks Xander what she is supposed to do; he cannot answer. Willow changes her shirt again and Xander expresses his desire to find Glory and exact justice, then complains about Joyce's negligent doctors. Anya asks if they will see the body, then if the body will be cut open, and Willow responds angrily. Anya tearfully says she does not understand how to behave, or why Joyce cannot go back into her own body, unable to understand human death, she states that it is all "stupid and mortal", and no one will tell her why things are happening. Xander puts his fist through the wall, making him bleed but feel oddly better. As the group leaves to visit Buffy at the hospital, Xander gets a parking ticket. In the waiting room outside the morgue, the doctor tells Buffy that Joyce died of an aneurysm suddenly and painlessly. Left alone with Buffy, Tara tells her that her own mother died when she was 17 and she went through something similar. Dawn goes alone to the morgue to see Joyce's body. While she is there, one of the bodies, now a vampire, gets up. After noticing Dawn has not come back, Buffy goes to look for her and finds her in the morgue, being attacked by the vampire. As Buffy fights and kills the vampire, the sheet falls from Joyce's face. Looking at her mother, Dawn asks where she went, as she reaches out to touch her cheek. Joss Whedon, [2]. From the start of writing the Buffy series, Joss Whedon asserted that it would never have a " very special episode " as in contemporary series Beverly Hills, , The Wonder Years , or Party of Five , where the core cast of characters addresses a single issue AIDS, drug abuse, or alcoholism, for example and resolve all the problems at the end. Rather, he wanted to capture the isolation and boredom involved in the minutes and hours after finding a loved one has died, [2] what he termed "the black ashes in your mouth numbness of death". He did not intend to resolve any religious or existential questions about the end of life, but wanted to examine the process in which a person becomes a mere body. He tried to achieve an "unlovely physicality" in "The Body" to portray the upsetting minutiae involved in attempting to comprehend what is incomprehensible. Small details became significant: The opening sequence of "The Body" was also the closing scene of the previous episode, " I Was Made to Love You "; this is the only episode in the series that was first aired without a "Previously on Buffy " lead-in. The episode is presented in four acts, each beginning in total silence and with a close-up shot of Joyce's pale, staring face. Shooting the first act was difficult for Gellar Buffy. Whedon shot the scene where she finds her mother as one long take, showing her move through the house and calling the paramedics, about seven times. The rest of the scenes in the act were shot in sequence. At the end, Giles arrives and also attempts to revive Joyce, but Buffy blurts, "We're not supposed to move the body! She is absent from most of the fourth season because she was traveling. She found the part difficult to play, not only for the stillness, but getting into the make-up, and lying on the morgue table with other bodies. The most difficult scene for Whedon to film was Willow panicking in her dormitory room. Her obsession about what to wear to visit Buffy was inspired by Whedon's own experiences when he was at a loss for what tie to wear for a friend's funeral. Whedon acknowledged his difficulty speaking on the DVD commentary while watching Hannigan in the scene. Whedon's rejection of the "very special episode" format impelled him to address the physicality of Willow and Tara's relationship within "The Body". Before this episode, they had held hands and danced on screen, but they had not kissed. A genre of television specials dealing with female homosexuality developed as the " lesbian kiss episode " in the s, where a female character kissed another female but no relationship is further explored. Whedon set out to acknowledge Willow's and Tara's affection without making it the primary focus of the show. For attempting this, he received resistance from the airing network, the WB. Whedon countered that the kiss was "true to character" and said he would quit the show if the network forbade it. It was the only time during the series he threatened to do so. She Jerks Him Just Right. Katerina is ready to party. Tiffany Star stopped at her uncles house to show h. Exotic Blonde Massage Tease. Tiny 4K Videos: Trending pornstars Rank 1. Lana Rhoades 47 Videos. Rank 2. Mia Khalifa Videos. Rank 3. Riley Reid Videos. Rank 8. Jordi El Nino Polla 19 Videos. Rank 7. Abella Danger Videos. Search Suggestions. Suggested Pornstars. Suggested Channels. Suggested Keywords. Recent Searches Clear. 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Muslim Sexvideo Watch Video Girlintogir Lxxx. For the Scoobies, her death destroys the illusion that normal life is trouble-free; it is just as challenging as encountering supernatural forces. Finding her mother's body, Buffy at first denies what she sees, to the point of imagining alternate realities. Whedon stated that these mini dream sequences were like documentaries; people who find their loved ones dead are desperate to imagine a different, better outcome, and they create fantasies that cause much more pain when they are forced to return to the harshness of reality. Willow and Xander express anger and helplessness. Anya, new to mortality and human connections, is childlike in her innocence and questions. Xander's anger and Anya's confusion allow them to be mothered somewhat by Willow, who needs to take care of someone. Dawn is deeply in denial, unable to understand that the woman she thought she had known all her life was gone. Tara, who has gone through the ordeal before, represents the acceptance phase, soothing and helping the others to work through what they are experiencing. Buffy toward the end also begins to see acceptance when she tells Dawn that the body in the morgue is not their mother; Joyce is gone. The episode also emphasizes another theme of the season: Buffy's response to forces that she cannot fight. Throughout the season she encounters the much more powerful goddess Glory , but Joyce's death leaves her feeling the most helpless. In Joyce's death there is no evil force to combat; she simply dies, and Buffy, with all her power, is ill-equipped to grasp the enormity of her situation. According to Buffy scholar Rhonda Wilcox, the themes of maturation and facing adult responsibilities begin with the departure of Buffy's boyfriend Riley Finn six episodes before, and crystallize in the preceding episode in which Buffy realizes she does not need a boyfriend to be fulfilled. At the end of that episode she is confronted with Joyce's death, which is fully explored in "The Body". Facing responsibilities became the major theme of the sixth season. Whedon uses several disorienting effects to heighten the reality of the situations in the episode to the point that they seem surreal. The long opening shot of Buffy coming home and finding Joyce was filmed with one hand-held camera in constant movement as she walks through the house to the phone and back to her mother again. The buttons on Buffy's phone are abnormally large, an effect that Whedon added because he experienced it when his mother died. Buffy is so bewildered by the paramedic telling her that Joyce is dead that she can only focus on his mouth in an attempt to understand what he is saying. The camera uses her perspective and only the bottom part of the paramedic's face is in view. Instead of a normal "over-the-shoulder" view, Buffy is shot at the same height as the paramedic's shoulder, barely squeezed into the frame as if to portray her, according to Whedon, as trapped by reality. I mean mortality is just not part of your vocabulary when you're that age. In the hospital, as Buffy listens to the doctor confirm how Joyce died, the doctor says something, but the words "I have to lie to you to make you feel better" are spoken discordantly, as though, according to cinema scholar Katy Stevens, Buffy "constructs what she believes to be an unmentionable truth—her culpability in her mother's death". Buffy sits with circles under her eyes, unflattering hair, and slumped posture next to Tara, who had been criticized for being too heavy, despite her body type being more typical of women her age. Foremost of the disorienting effects, to critics and scholars, is Whedon's use of sound and silence. After Buffy vomits on the floor, she stands in the back doorway listening to life carrying on: Long pauses between dialogue create gaps that turn awkward as the characters try to think of what to say, made especially notable in a series famous for its rapid banter. This effect is also used when shifting between Buffy's alternate version of her mother being "good as new" in the hospital and the paramedics trying to revive her. In the car on the way to Willow's dormitory, Anya is shot by a camera mounted on the front bumper, separated from the audience by the windshield. Xander, driving, faces the other way; neither of them speak and only the sound of the car can be heard. The spooky stillness and the long, spacey pauses in conversation as characters struggled to articulate their feelings exaggerated the sense of time elongating and standing still. Katy Stevens notes that the dialogue in "The Body" was recorded with microphones very close to the actors, making variations in their voices—cracks, rises, and whispers—more prominent to the audience, to close the distance between the actors and the viewer. Conversely, the scene in which Dawn is told of Joyce's death was shot through a large classroom window, muffling Dawn's emotional reaction, to isolate Buffy and Dawn from the class and the audience. Several moments of silence follow this scene. I think it allowed the audience to really connect with Dawn for the first time. Presenting the episode without music was Whedon's way of denying the audience any comfort, forcing them to discern their own meanings from the characters' actions and words. Music would provide a conceptualization and a catharsis There were no soaring strings or plaintive piano to trigger an emotional response. Instead the soundtrack took in the ambient noises of wind chimes, doors squeaking, footsteps on carpets. Conversations were stilted and awkward, but the spaces in between always mattered. Ian Shuttleworth , [30]. Critics praised the episode, and have continued to count it as one of the finest episodes of television ever broadcast. It also will haunt you—but not in the normal way associated with this still-evolving, still-achieving series. This isn't just one of the best Buffy episodes of all time. It's one of the best episodes of TV of all time. A 'fantasy' show delivers the most stark and realistic take on death I've ever seen, deftly depicting how a loved one who dies suddenly becomes 'the body'. The way this was handled by Joss Whedon Time slowed down and the feeling of numbness was palpable as Buffy and her gang tried to come to terms with Joyce's death. He concludes, "Joyce may be dead but long live Buffy the Vampire Slayer. At Salon. You have to hand it to the writers; Joyce's demise came as a complete surprise. In that instant, Buffy's childhood officially ends. Abella Danger Videos. Search Suggestions. Suggested Pornstars. Suggested Channels. Suggested Keywords. Recent Searches Clear. You have Adblock enabled. Adblock has been known to cause issues with site functionality. If you experience any difficulties, please try disabling Adblock. The pornstar names will be added to this video when enough users submit the same names. You must enter a pornstar name that already exists in our database. Remove Ads. Add to: My Playlist. Add to a new Folder. Add to Playlist. Video Size x x x x Making Of Langerie. Report This Video. Inappropriate content Underage Video does not play Spam or misleading Other. Public fucked big ass super hot teen get cum on face. Advanced Pussy Relaxation Techniques. Nuru Girl Girl Massage Time. Time to Heal that Cock Honey. 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Video Results For: Sort by:. Sorry, we couldn't find any pages containing Watch some of our most popular Tube8. Homepage or Category page. Searches Related to: Remember me on this device. The buttons on Buffy's phone are abnormally large, an effect that Whedon added because he experienced it when his mother died.

Buffy is so bewildered by the paramedic telling her that Joyce is dead that she can only focus on his mouth in an attempt to understand what he is saying.

The camera uses her perspective and only the bottom part of the paramedic's face is in view. Instead of a normal "over-the-shoulder" view, Buffy is shot at the same height as the paramedic's shoulder, barely squeezed into the frame as if to portray her, according to Whedon, as trapped by reality. I mean mortality is just not part of your vocabulary when you're that age. In the hospital, as Buffy listens to the doctor confirm how Joyce died, the doctor says something, but the words "I have to lie learn more here you to make you feel better" are spoken discordantly, as though, according to cinema scholar Katy Stevens, Buffy "constructs what she believes to be an unmentionable Free porn buffie da body culpability in her mother's death".

Buffy sits with circles under her eyes, unflattering hair, and slumped posture next to Tara, who had been criticized for being too heavy, despite her body type being more typical of women her age. Foremost of the disorienting effects, to critics and scholars, is Whedon's use of sound and silence. After Buffy vomits on the floor, she stands in the back doorway listening to life carrying Free porn buffie da body Long pauses between dialogue create gaps that turn awkward as the characters try to think of what Free porn buffie da body say, made especially notable in a series famous for its rapid banter.

This effect is also used when shifting between Buffy's alternate version of her Free porn buffie da body being "good as new" in the hospital and the paramedics trying to revive her. In the car on the way to Willow's dormitory, Anya is shot by a camera mounted on the front bumper, separated from the audience by the windshield.

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Xander, driving, faces the other way; neither of them speak and only the sound of the car can be heard. The spooky stillness and the long, spacey pauses in conversation as characters struggled to articulate their Free porn buffie da body exaggerated the sense of time elongating and standing still.

Katy Stevens notes that the dialogue in "The Body" was recorded with microphones very close to the actors, making variations in their voices—cracks, rises, and whispers—more prominent to the audience, to close the distance between the actors and the viewer.

Conversely, the scene in which Dawn is told of Free porn buffie da body death was shot through a large classroom window, muffling Dawn's emotional reaction, to isolate Buffy and Dawn from the class and the audience. Several moments of silence follow this scene. I think it allowed the audience to really connect with Dawn for the first time. Presenting the episode without music was Whedon's way of denying the audience any comfort, forcing them Free porn buffie da body discern their own meanings from the characters' actions and words.

Music would provide a conceptualization and a catharsis There were Free porn buffie da body soaring strings or plaintive piano to trigger an emotional see more. Instead the soundtrack took in the ambient noises of wind chimes, doors squeaking, footsteps on carpets.

Conversations were stilted and awkward, but the spaces in between always mattered. Ian Shuttleworth[30]. Critics praised the episode, and have continued to count it as one of the finest episodes of television ever broadcast. It also will haunt you—but not in the normal way associated with this still-evolving, still-achieving series.

This isn't just one of the best Buffy episodes of all time. It's one of the best episodes of TV of all time. A 'fantasy' show delivers the most stark and realistic take on death I've ever seen, deftly depicting how a loved one who dies suddenly becomes 'the body'.

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The way this was handled by Learn more here Whedon Time slowed down and the feeling of numbness was palpable as Buffy and her gang tried to come to terms with Joyce's death. He concludes, "Joyce may be dead but long live Buffy the Vampire Slayer. At Salon. You have to hand it to the writers; Joyce's demise came as a complete Free porn buffie da body. In that instant, Buffy's childhood officially ends.

Even if Buffy gets stiffed in every other Emmy category this year, 'The Body' should convince the nominating committee that Gellar is for real I can't remember the last time I saw a more wrenching portrayal of the shock of loss.

It is an incredibly moving episode, one that finally admits that you don't walk away from death unscathed. It also shows that, for all the group's slaying experience, they really weren't prepared for death when it stole a loved one. Kira Schlechter in The Patriot-News declares "The Body" "one of the finest episodes of any series ever", stating that Free porn buffie da body silence and novel cinematography are "remarkable and the writing is brilliant".

Buffy and Dawn's conversation at her school, Schlechter Free porn buffie da body, is "positively wrenching".

Sexy fendom Watch Video Messase Porn. The paramedics arrive and work on Joyce and she revives, the paramedics declare it a miracle in the ambulance, and Joyce, Buffy, and Dawn rejoice in the hospital. Revealed to be a fantasy of Buffy's, the scene snaps back to the living room, where the paramedics continue to work on Joyce until they stop and tell Buffy that Joyce is dead. They leave, and Buffy goes into the hall and vomits. Giles arrives and Buffy tells him not to move the body, shocking herself by using that word. At school, Dawn is crying in the bathroom upset that a girl called her a freak. In art class she talks with a boy as they sketch, and the two share a moment of understanding about being troubled. Buffy arrives and pulls Dawn out of class into the hall. Through the windows of the art room, the class watches Buffy tell her that Joyce has had an accident. The rest of the conversation is muffled. Dawn collapses in the hall, sobbing. In Willow's dormitory room, Tara tries to help Willow find a shirt to wear. Xander and Anya arrive and double-park. Willow panics, rejecting shirt after shirt, not knowing how to appear for Buffy and Dawn. She asks why her clothes are stupid and she is childish, weeping until Tara kisses and calms her. Anya asks Xander what she is supposed to do; he cannot answer. Willow changes her shirt again and Xander expresses his desire to find Glory and exact justice, then complains about Joyce's negligent doctors. Anya asks if they will see the body, then if the body will be cut open, and Willow responds angrily. Anya tearfully says she does not understand how to behave, or why Joyce cannot go back into her own body, unable to understand human death, she states that it is all "stupid and mortal", and no one will tell her why things are happening. Xander puts his fist through the wall, making him bleed but feel oddly better. As the group leaves to visit Buffy at the hospital, Xander gets a parking ticket. In the waiting room outside the morgue, the doctor tells Buffy that Joyce died of an aneurysm suddenly and painlessly. Left alone with Buffy, Tara tells her that her own mother died when she was 17 and she went through something similar. Dawn goes alone to the morgue to see Joyce's body. While she is there, one of the bodies, now a vampire, gets up. After noticing Dawn has not come back, Buffy goes to look for her and finds her in the morgue, being attacked by the vampire. As Buffy fights and kills the vampire, the sheet falls from Joyce's face. Looking at her mother, Dawn asks where she went, as she reaches out to touch her cheek. Joss Whedon, [2]. From the start of writing the Buffy series, Joss Whedon asserted that it would never have a " very special episode " as in contemporary series Beverly Hills, , The Wonder Years , or Party of Five , where the core cast of characters addresses a single issue AIDS, drug abuse, or alcoholism, for example and resolve all the problems at the end. Rather, he wanted to capture the isolation and boredom involved in the minutes and hours after finding a loved one has died, [2] what he termed "the black ashes in your mouth numbness of death". He did not intend to resolve any religious or existential questions about the end of life, but wanted to examine the process in which a person becomes a mere body. He tried to achieve an "unlovely physicality" in "The Body" to portray the upsetting minutiae involved in attempting to comprehend what is incomprehensible. Small details became significant: The opening sequence of "The Body" was also the closing scene of the previous episode, " I Was Made to Love You "; this is the only episode in the series that was first aired without a "Previously on Buffy " lead-in. The episode is presented in four acts, each beginning in total silence and with a close-up shot of Joyce's pale, staring face. Shooting the first act was difficult for Gellar Buffy. Whedon shot the scene where she finds her mother as one long take, showing her move through the house and calling the paramedics, about seven times. The rest of the scenes in the act were shot in sequence. At the end, Giles arrives and also attempts to revive Joyce, but Buffy blurts, "We're not supposed to move the body! She is absent from most of the fourth season because she was traveling. She found the part difficult to play, not only for the stillness, but getting into the make-up, and lying on the morgue table with other bodies. The most difficult scene for Whedon to film was Willow panicking in her dormitory room. Her obsession about what to wear to visit Buffy was inspired by Whedon's own experiences when he was at a loss for what tie to wear for a friend's funeral. Whedon acknowledged his difficulty speaking on the DVD commentary while watching Hannigan in the scene. Whedon's rejection of the "very special episode" format impelled him to address the physicality of Willow and Tara's relationship within "The Body". Before this episode, they had held hands and danced on screen, but they had not kissed. A genre of television specials dealing with female homosexuality developed as the " lesbian kiss episode " in the s, where a female character kissed another female but no relationship is further explored. Whedon set out to acknowledge Willow's and Tara's affection without making it the primary focus of the show. For attempting this, he received resistance from the airing network, the WB. Whedon countered that the kiss was "true to character" and said he would quit the show if the network forbade it. It was the only time during the series he threatened to do so. In the end, Whedon praised the way the WB handled the display of affection in "The Body", saying "They raised an eyebrow, but they've been great. I give the WB props when it came to the [characters' first] kiss. Gabriella Paltrova has no time between two clients. Ads by TrafficFactory. Type Straight Gay Shemale. Related searches superhead buffie carruth the body xxx latina ebony squirt buffy the bodyxxx black chubby women doggyetyle behind building lesbian pays for pussy buffy the body buffy da body cherokee d ass rosa acosta biggie the body karrine steffans buffi the body victoria cakes buffie buffie the body black deelishis the body video vixens dallas da body japanese mother and son bunz4ever xxx black nigeria pinky buffie da body love and hip hop pinkyxxx cardi b sarrah banks More Inside the strip club. 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click to see more At some point, most of us will experience a day like Buffy has in 'The Body' and we sense that the writers have gotten nearly every detail of that day—right down to the Free porn buffie da body of a musical score—right.

ClubNoel Murray also finds small details compelling, such as the camera's focus on the paper towel Buffy uses to cover the vomit on the carpet. He does, however, write that some of the shots "come off a little gimmicky, but the ones that work are so effective that it seems petty to complain that Whedon Free porn buffie da body it at times.

Besides, different moments are likely to move different people. In addition to praising Gellar's often under-appreciated acting, Buffy scholar Ian Shuttleworth comments on the cast and the nuanced numbness and confusion of the characters, paired with the moments of silence in the episode: The Unofficial Guide to Buffy the Vampire Slayercalls "The Body" "an absolute masterpiece", explaining that it is "hands down Free porn buffie da body single most terrifying, heart-breaking, painful, and amazing hour of television I have ever seen".

Stafford also praised Kristine Sutherland—as did Whedon—for having to lie motionless with her eyes open for hours upon hours over eight days of filming. Upon reviewing the episode, he called it "one of the best hours of television" he had ever seen and went on to say "I don't think any other supernatural show has ever had a more beautiful episode than The Body ". When the episode was originally broadcast in the United States on Free porn buffie da body WB network on February 27,it received a Nielsen rating of 3.

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It was the most watched program on the WB that night, and the second most watched program that week, trailing 7th Heaven. From Wikipedia, the free encyclopedia.

Buffy frantically tries to awaken her mother as she finds her lifeless on the couch. Time to Heal that Cock Free porn buffie da body.

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Xxx exclusive Watch Video Sexlegetoj tilbud. Buffy is so bewildered by the paramedic telling her that Joyce is dead that she can only focus on his mouth in an attempt to understand what he is saying. The camera uses her perspective and only the bottom part of the paramedic's face is in view. Instead of a normal "over-the-shoulder" view, Buffy is shot at the same height as the paramedic's shoulder, barely squeezed into the frame as if to portray her, according to Whedon, as trapped by reality. I mean mortality is just not part of your vocabulary when you're that age. In the hospital, as Buffy listens to the doctor confirm how Joyce died, the doctor says something, but the words "I have to lie to you to make you feel better" are spoken discordantly, as though, according to cinema scholar Katy Stevens, Buffy "constructs what she believes to be an unmentionable truth—her culpability in her mother's death". Buffy sits with circles under her eyes, unflattering hair, and slumped posture next to Tara, who had been criticized for being too heavy, despite her body type being more typical of women her age. Foremost of the disorienting effects, to critics and scholars, is Whedon's use of sound and silence. After Buffy vomits on the floor, she stands in the back doorway listening to life carrying on: Long pauses between dialogue create gaps that turn awkward as the characters try to think of what to say, made especially notable in a series famous for its rapid banter. This effect is also used when shifting between Buffy's alternate version of her mother being "good as new" in the hospital and the paramedics trying to revive her. In the car on the way to Willow's dormitory, Anya is shot by a camera mounted on the front bumper, separated from the audience by the windshield. Xander, driving, faces the other way; neither of them speak and only the sound of the car can be heard. The spooky stillness and the long, spacey pauses in conversation as characters struggled to articulate their feelings exaggerated the sense of time elongating and standing still. Katy Stevens notes that the dialogue in "The Body" was recorded with microphones very close to the actors, making variations in their voices—cracks, rises, and whispers—more prominent to the audience, to close the distance between the actors and the viewer. Conversely, the scene in which Dawn is told of Joyce's death was shot through a large classroom window, muffling Dawn's emotional reaction, to isolate Buffy and Dawn from the class and the audience. Several moments of silence follow this scene. I think it allowed the audience to really connect with Dawn for the first time. Presenting the episode without music was Whedon's way of denying the audience any comfort, forcing them to discern their own meanings from the characters' actions and words. Music would provide a conceptualization and a catharsis There were no soaring strings or plaintive piano to trigger an emotional response. Instead the soundtrack took in the ambient noises of wind chimes, doors squeaking, footsteps on carpets. Conversations were stilted and awkward, but the spaces in between always mattered. Ian Shuttleworth , [30]. Critics praised the episode, and have continued to count it as one of the finest episodes of television ever broadcast. It also will haunt you—but not in the normal way associated with this still-evolving, still-achieving series. This isn't just one of the best Buffy episodes of all time. It's one of the best episodes of TV of all time. A 'fantasy' show delivers the most stark and realistic take on death I've ever seen, deftly depicting how a loved one who dies suddenly becomes 'the body'. The way this was handled by Joss Whedon Time slowed down and the feeling of numbness was palpable as Buffy and her gang tried to come to terms with Joyce's death. He concludes, "Joyce may be dead but long live Buffy the Vampire Slayer. At Salon. You have to hand it to the writers; Joyce's demise came as a complete surprise. In that instant, Buffy's childhood officially ends. Even if Buffy gets stiffed in every other Emmy category this year, 'The Body' should convince the nominating committee that Gellar is for real I can't remember the last time I saw a more wrenching portrayal of the shock of loss. It is an incredibly moving episode, one that finally admits that you don't walk away from death unscathed. It also shows that, for all the group's slaying experience, they really weren't prepared for death when it stole a loved one. Kira Schlechter in The Patriot-News declares "The Body" "one of the finest episodes of any series ever", stating that the silence and novel cinematography are "remarkable and the writing is brilliant". Buffy and Dawn's conversation at her school, Schlechter says, is "positively wrenching". At some point, most of us will experience a day like Buffy has in 'The Body' and we sense that the writers have gotten nearly every detail of that day—right down to the absence of a musical score—right. Club , Noel Murray also finds small details compelling, such as the camera's focus on the paper towel Buffy uses to cover the vomit on the carpet. He does, however, write that some of the shots "come off a little gimmicky, but the ones that work are so effective that it seems petty to complain that Whedon overdoes it at times. Besides, different moments are likely to move different people. In addition to praising Gellar's often under-appreciated acting, Buffy scholar Ian Shuttleworth comments on the cast and the nuanced numbness and confusion of the characters, paired with the moments of silence in the episode: The Unofficial Guide to Buffy the Vampire Slayer , calls "The Body" "an absolute masterpiece", explaining that it is "hands down the single most terrifying, heart-breaking, painful, and amazing hour of television I have ever seen". Stafford also praised Kristine Sutherland—as did Whedon—for having to lie motionless with her eyes open for hours upon hours over eight days of filming. Upon reviewing the episode, he called it "one of the best hours of television" he had ever seen and went on to say "I don't think any other supernatural show has ever had a more beautiful episode than The Body ". When the episode was originally broadcast in the United States on the WB network on February 27, , it received a Nielsen rating of 3. It was the most watched program on the WB that night, and the second most watched program that week, trailing 7th Heaven. From Wikipedia, the free encyclopedia. Buffy frantically tries to awaken her mother as she finds her lifeless on the couch. This begins a 3-minute length scene with no cuts , and no score , which is a distinct style of this episode. Family Strokes Videos: Fake Taxi Videos: Blacked Videos: Trending Channels View More. Blacked Raw Videos: FILF Videos: Moms Teach Sex Videos: Tiny 4K Videos: Trending pornstars Rank 1. Lana Rhoades 47 Videos. Rank 2. Mia Khalifa Videos. Rank 3. Riley Reid Videos. Rank 8. Jordi El Nino Polla 19 Videos. Rank 7. Abella Danger Videos. Search Suggestions. Suggested Pornstars. Nuru Massage To Relax You. Public fucked big ass super hot teen get cum on face. Advanced Pussy Relaxation Techniques. Nuru Girl Girl Massage Time. Kongo dr porr bilder. Clip secret sex. Erotic mind control japanese. Cute xxx indian girls free reap. Femdom smother box. 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My name Gayle Age: Hi guys Rikki Age: Erin told her friend Kirin how much fun she had at our nude photo shoot and she really wanted her friend to be a part of the nude modeling too! I will provide a memorable and exquisite girlfriend experience, taking care of you with genuine attention and a particular interest of your pleasure. User Comments 2 Post a comment Comment: In order to post a comment you have to be logged in. V-Mort at The episode was written and directed by series creator Joss Whedon and originally aired on the WB network in the United States on February 27, In the series, Buffy Summers is a teenager chosen by mystical forces and endowed with superhuman powers to defeat vampires , demons, and other evils in the fictional town of Sunnydale. She is supported in her struggles by a close circle of friends and family, nicknamed the Scooby Gang. In "The Body", Buffy is powerless as she comes upon her lifeless mother, who has died of a brain aneurysm. Although Buffy and her friends deal with death every week, often in very gruesome and fantastic ways, in this episode they are bewildered by the natural death of Joyce Summers , the divorced mother of Buffy and her sister Dawn and occasionally a mother figure to their friends. They struggle to comprehend what the loss means to each of them and to the group. Buffy must begin to face her life and her duties as the Slayer without parental support and comfort. The episode was stripped of all music—a regular staple of the Buffy series—and disorienting effects were included to convey the sense of displacement and loss associated with the death of a close family member. Buffy Sarah Michelle Gellar is assisted from season one by her close friends, who collectively refer to themselves as the Scooby Gang: Xander Harris Nicholas Brendon , whose primary strength is his devotion to Buffy, and Willow Rosenberg Alyson Hannigan , who begins dabbling in witchcraft and grows progressively more powerful. Anya is often at a loss to know how to communicate with humans, and her speech is frequently abrupt. In the fourth season, Willow became romantically involved with Tara Maclay Amber Benson , also a witch. Each season of Buffy the Vampire Slayer often simplified as Buffy presents an overall theme episodes tie into. Roz Kaveney identifies family and belonging as the overall theme of the fifth season. Buffy's mother Joyce Kristine Sutherland begins experiencing headaches at the beginning of the season, once collapsing and requiring hospitalization. She subsequently has a brain tumor removed. She has been recovering well. In the previous episode , she receives flowers from a male suitor, which Buffy finds at the end of that episode. The fifth season also introduces Dawn Michelle Trachtenberg , Buffy's year-old sister. Each season has a primary antagonist called the Big Bad ; in the fifth season this takes the form of a powerful goddess named Glory Clare Kramer. Beginning where the previous episode left off, Buffy arrives home and sees the flowers sent from Joyce's suitor. She calls out to her mother and hears no answer. Buffy sees Joyce lying lifeless on the sofa, staring at the ceiling. In a flashback to a Christmas dinner where all the Scoobies are present, having a typical lighthearted conversation as Joyce and Buffy discuss a pie that drops on the floor. The scene snaps back to Buffy in the living room, shaking Joyce and screaming at her. She calls for an ambulance and attempts CPR , accidentally snapping a rib in the process, but to no avail. Buffy calls Giles. The paramedics arrive and work on Joyce and she revives, the paramedics declare it a miracle in the ambulance, and Joyce, Buffy, and Dawn rejoice in the hospital. Revealed to be a fantasy of Buffy's, the scene snaps back to the living room, where the paramedics continue to work on Joyce until they stop and tell Buffy that Joyce is dead. They leave, and Buffy goes into the hall and vomits. Giles arrives and Buffy tells him not to move the body, shocking herself by using that word. At school, Dawn is crying in the bathroom upset that a girl called her a freak. In art class she talks with a boy as they sketch, and the two share a moment of understanding about being troubled. Buffy arrives and pulls Dawn out of class into the hall. Through the windows of the art room, the class watches Buffy tell her that Joyce has had an accident. The rest of the conversation is muffled. Dawn collapses in the hall, sobbing. In Willow's dormitory room, Tara tries to help Willow find a shirt to wear. Xander and Anya arrive and double-park. Willow panics, rejecting shirt after shirt, not knowing how to appear for Buffy and Dawn. She asks why her clothes are stupid and she is childish, weeping until Tara kisses and calms her. Anya asks Xander what she is supposed to do; he cannot answer. Willow changes her shirt again and Xander expresses his desire to find Glory and exact justice, then complains about Joyce's negligent doctors. Anya asks if they will see the body, then if the body will be cut open, and Willow responds angrily. Anya tearfully says she does not understand how to behave, or why Joyce cannot go back into her own body, unable to understand human death, she states that it is all "stupid and mortal", and no one will tell her why things are happening. Xander puts his fist through the wall, making him bleed but feel oddly better. As the group leaves to visit Buffy at the hospital, Xander gets a parking ticket. In the waiting room outside the morgue, the doctor tells Buffy that Joyce died of an aneurysm suddenly and painlessly. Left alone with Buffy, Tara tells her that her own mother died when she was 17 and she went through something similar. Dawn goes alone to the morgue to see Joyce's body. While she is there, one of the bodies, now a vampire, gets up. After noticing Dawn has not come back, Buffy goes to look for her and finds her in the morgue, being attacked by the vampire. As Buffy fights and kills the vampire, the sheet falls from Joyce's face. Time to Heal that Cock Honey. A Pussy Needs A Massage. She Jerks Him Just Right. Katerina is ready to party. Add to: My Playlist. Add to a new Folder. Add to Playlist. Video Size x x x x Making Of Langerie. Report This Video. Inappropriate content Underage Video does not play Spam or misleading Other. Send Report Close. View More Videos. Video Comments. All Video Comments 0. Respond to this video. 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Sexdate heerhugowaard Watch Video Pussy Hita. Riley Reid Videos. Rank 8. Jordi El Nino Polla 19 Videos. Rank 7. Abella Danger Videos. Search Suggestions. Suggested Pornstars. Suggested Channels. Suggested Keywords. Recent Searches Clear. You have Adblock enabled. Adblock has been known to cause issues with site functionality. If you experience any difficulties, please try disabling Adblock. The pornstar names will be added to this video when enough users submit the same names. You must enter a pornstar name that already exists in our database. Remove Ads. Add to: My Playlist. Add to a new Folder. Add to Playlist. Time to Heal that Cock Honey. A Pussy Needs A Massage. She Jerks Him Just Right. Katerina is ready to party. It is an incredibly moving episode, one that finally admits that you don't walk away from death unscathed. It also shows that, for all the group's slaying experience, they really weren't prepared for death when it stole a loved one. Kira Schlechter in The Patriot-News declares "The Body" "one of the finest episodes of any series ever", stating that the silence and novel cinematography are "remarkable and the writing is brilliant". Buffy and Dawn's conversation at her school, Schlechter says, is "positively wrenching". At some point, most of us will experience a day like Buffy has in 'The Body' and we sense that the writers have gotten nearly every detail of that day—right down to the absence of a musical score—right. Club , Noel Murray also finds small details compelling, such as the camera's focus on the paper towel Buffy uses to cover the vomit on the carpet. He does, however, write that some of the shots "come off a little gimmicky, but the ones that work are so effective that it seems petty to complain that Whedon overdoes it at times. Besides, different moments are likely to move different people. In addition to praising Gellar's often under-appreciated acting, Buffy scholar Ian Shuttleworth comments on the cast and the nuanced numbness and confusion of the characters, paired with the moments of silence in the episode: The Unofficial Guide to Buffy the Vampire Slayer , calls "The Body" "an absolute masterpiece", explaining that it is "hands down the single most terrifying, heart-breaking, painful, and amazing hour of television I have ever seen". Stafford also praised Kristine Sutherland—as did Whedon—for having to lie motionless with her eyes open for hours upon hours over eight days of filming. Upon reviewing the episode, he called it "one of the best hours of television" he had ever seen and went on to say "I don't think any other supernatural show has ever had a more beautiful episode than The Body ". When the episode was originally broadcast in the United States on the WB network on February 27, , it received a Nielsen rating of 3. It was the most watched program on the WB that night, and the second most watched program that week, trailing 7th Heaven. From Wikipedia, the free encyclopedia. Buffy frantically tries to awaken her mother as she finds her lifeless on the couch. This begins a 3-minute length scene with no cuts , and no score , which is a distinct style of this episode. My experience with death is that apart from a lot of people hugging at funerals, it seldom brings people together. It actually tears them apart. And I had always learned from TV that death made everybody stronger and better and learn about themselves. And my experience was that an important piece had been taken out of the puzzle But I don't understand! I don't understand how this all happens. How we go through this. I knew her, and then she's—there's just a body, and I don't understand why she just can't get back in it and not be dead It's stupid! It's mortal and stupid! Play media. Any sneerer of Buffy in particular or genre work should simply be sat down in front of a television and told to shut up for three-quarters of an hour while they are shown "The Body"; their awestruck silence afterwards may be taken as recantation or apology. Buffy the Vampire Slayer: Live at the Paley Festival: Retrieved on June 14, Retrieved on June 13, Retrieved on August 3, Last night's TV: Smart, defiant and utterly original, the show that comes to an end Tuesday had real bite. And you thought it was just about slaying vampires. The Good, the Bad, the Ugly: Archived from the original on September 5, Retrieved July 5, TV Tango. Archived from the original on January 10, Retrieved August 30, Archived from the original on October 19, Retrieved July 23, Retrieved on June 22, Buffy the Vampire Slayer episodes. Retrieved from " https: Hidden categories: Webarchive template wayback links Use mdy dates from April Articles with short description Television episode articles with short description for single episodes Television episode articles with short description and disambiguated page names Pages using deprecated image syntax Featured articles Articles containing video clips. Namespaces Article Talk. Views Read Edit View history. This page was last edited on 26 March , at Random Gallary Amatuer busty babe photos. Blondes have more fun jokes. Xxx trple penetration. Worlds oldest dildo. Softcore casual bondage. Indian home made adult videos. Julie martin naked pussy. Dominatrix asia mistress bdsm. Jessica R. Code M. Big B. Sex Dating. All models on www. All galleries and links are provided by 3rd parties. We have no control over the content of these pages. We take no responsibility for the content on any website which we link to, please use your own discretion while surfing the porn links..

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Xxsex Tube Watch Video Sexu tits. Dawn is deeply in denial, unable to understand that the woman she thought she had known all her life was gone. Tara, who has gone through the ordeal before, represents the acceptance phase, soothing and helping the others to work through what they are experiencing. Buffy toward the end also begins to see acceptance when she tells Dawn that the body in the morgue is not their mother; Joyce is gone. The episode also emphasizes another theme of the season: Buffy's response to forces that she cannot fight. Throughout the season she encounters the much more powerful goddess Glory , but Joyce's death leaves her feeling the most helpless. In Joyce's death there is no evil force to combat; she simply dies, and Buffy, with all her power, is ill-equipped to grasp the enormity of her situation. According to Buffy scholar Rhonda Wilcox, the themes of maturation and facing adult responsibilities begin with the departure of Buffy's boyfriend Riley Finn six episodes before, and crystallize in the preceding episode in which Buffy realizes she does not need a boyfriend to be fulfilled. At the end of that episode she is confronted with Joyce's death, which is fully explored in "The Body". Facing responsibilities became the major theme of the sixth season. Whedon uses several disorienting effects to heighten the reality of the situations in the episode to the point that they seem surreal. The long opening shot of Buffy coming home and finding Joyce was filmed with one hand-held camera in constant movement as she walks through the house to the phone and back to her mother again. The buttons on Buffy's phone are abnormally large, an effect that Whedon added because he experienced it when his mother died. Buffy is so bewildered by the paramedic telling her that Joyce is dead that she can only focus on his mouth in an attempt to understand what he is saying. The camera uses her perspective and only the bottom part of the paramedic's face is in view. Instead of a normal "over-the-shoulder" view, Buffy is shot at the same height as the paramedic's shoulder, barely squeezed into the frame as if to portray her, according to Whedon, as trapped by reality. I mean mortality is just not part of your vocabulary when you're that age. In the hospital, as Buffy listens to the doctor confirm how Joyce died, the doctor says something, but the words "I have to lie to you to make you feel better" are spoken discordantly, as though, according to cinema scholar Katy Stevens, Buffy "constructs what she believes to be an unmentionable truth—her culpability in her mother's death". Buffy sits with circles under her eyes, unflattering hair, and slumped posture next to Tara, who had been criticized for being too heavy, despite her body type being more typical of women her age. Foremost of the disorienting effects, to critics and scholars, is Whedon's use of sound and silence. After Buffy vomits on the floor, she stands in the back doorway listening to life carrying on: Long pauses between dialogue create gaps that turn awkward as the characters try to think of what to say, made especially notable in a series famous for its rapid banter. This effect is also used when shifting between Buffy's alternate version of her mother being "good as new" in the hospital and the paramedics trying to revive her. In the car on the way to Willow's dormitory, Anya is shot by a camera mounted on the front bumper, separated from the audience by the windshield. Xander, driving, faces the other way; neither of them speak and only the sound of the car can be heard. The spooky stillness and the long, spacey pauses in conversation as characters struggled to articulate their feelings exaggerated the sense of time elongating and standing still. Katy Stevens notes that the dialogue in "The Body" was recorded with microphones very close to the actors, making variations in their voices—cracks, rises, and whispers—more prominent to the audience, to close the distance between the actors and the viewer. Conversely, the scene in which Dawn is told of Joyce's death was shot through a large classroom window, muffling Dawn's emotional reaction, to isolate Buffy and Dawn from the class and the audience. Several moments of silence follow this scene. I think it allowed the audience to really connect with Dawn for the first time. Presenting the episode without music was Whedon's way of denying the audience any comfort, forcing them to discern their own meanings from the characters' actions and words. Music would provide a conceptualization and a catharsis There were no soaring strings or plaintive piano to trigger an emotional response. Instead the soundtrack took in the ambient noises of wind chimes, doors squeaking, footsteps on carpets. Conversations were stilted and awkward, but the spaces in between always mattered. Ian Shuttleworth , [30]. Critics praised the episode, and have continued to count it as one of the finest episodes of television ever broadcast. It also will haunt you—but not in the normal way associated with this still-evolving, still-achieving series. This isn't just one of the best Buffy episodes of all time. It's one of the best episodes of TV of all time. A 'fantasy' show delivers the most stark and realistic take on death I've ever seen, deftly depicting how a loved one who dies suddenly becomes 'the body'. The way this was handled by Joss Whedon Time slowed down and the feeling of numbness was palpable as Buffy and her gang tried to come to terms with Joyce's death. He concludes, "Joyce may be dead but long live Buffy the Vampire Slayer. At Salon. You have to hand it to the writers; Joyce's demise came as a complete surprise. In that instant, Buffy's childhood officially ends. Even if Buffy gets stiffed in every other Emmy category this year, 'The Body' should convince the nominating committee that Gellar is for real I can't remember the last time I saw a more wrenching portrayal of the shock of loss. It is an incredibly moving episode, one that finally admits that you don't walk away from death unscathed. It also shows that, for all the group's slaying experience, they really weren't prepared for death when it stole a loved one. Kira Schlechter in The Patriot-News declares "The Body" "one of the finest episodes of any series ever", stating that the silence and novel cinematography are "remarkable and the writing is brilliant". Buffy and Dawn's conversation at her school, Schlechter says, is "positively wrenching". Dirty pigtailed whore deserves rough pounding. Rough Double penetration - Compilation. Moonchristine pussy fisting smoker. Moonchristine Smoking pussy giant dildo and candy. Recognize a pornstar in this video? Help make pornstars easier to find on Tube8 by telling us who is in this video. Lesbian interracial couple double team the maid Chanell Heart. BBW milf Renatte will brighten up your day in the office. On Consignment 3: She Passed The Final Test. Award winning sex from SinfulXXX. Couple eat each other for dinner in the kitchen. Sorry, we couldn't find any pages containing. Try VIP. Hottest Videos View More. Newest Videos View More. 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